by Little Gorilla » Sat Aug 03, 2013 11:05 am
Oh, OK, thanks. I find that for protracted burbling and gurgling it's quite good to have a slow BPM, the arpeggiator in locked mode, usually with a single note going,with an eight bar step setting and with the sequencer at a 32nd note setting. Thus the slow arpeggiator simulates having a key pressed down and allows for the sequencer to keep running at a reasonable speed produced by the combination of fast step time and very slow BPM. Excellent! Burbling potential! And,so far as I can ascertain, the only way to trigger envelopes without hitting a key again. Which brings me to...
Is it in any way feasible, down the line, to allow the envelopes to be allocated trigger sources from the modulation list, say from a certain level of an LFO, Andromeda style, (comparator), or from a button press?
Not to detract, of course, from the uber flexibility and general super design of the beast - I am merely musing.
Thanks very much.
Oh, OK, thanks. I find that for protracted burbling and gurgling it's quite good to have a slow BPM, the arpeggiator in locked mode, usually with a single note going,with an eight bar step setting and with the sequencer at a 32nd note setting. Thus the slow arpeggiator simulates having a key pressed down and allows for the sequencer to keep running at a reasonable speed produced by the combination of fast step time and very slow BPM. Excellent! Burbling potential! And,so far as I can ascertain, the only way to trigger envelopes without hitting a key again. Which brings me to...
Is it in any way feasible, down the line, to allow the envelopes to be allocated trigger sources from the modulation list, say from a certain level of an LFO, Andromeda style, (comparator), or from a button press?
Not to detract, of course, from the uber flexibility and general super design of the beast - I am merely musing.
Thanks very much.