by John Bowen » Mon Mar 16, 2009 7:48 pm
Two more videos have been posted - The Effects (FX) section, and the Arpeggiator & Step Sequencer section.
Because I wanted these videos to be brief, I didn't get into explaining how the step sequencer's 4 rows are assigned, but if you look at the second video where I'm describing the mod matrix details (Oscillator extras and modulation), or in any of the other videos where I'm showing the modulation sources, you will see Seq A, Seq B, Seq C, and Seq D as Mod Sources. If you want the step value to equal semitones, you have to put the mod amount in the Mod Matrix up full, at 120.00 semitones. This then makes each value in the step sequencer a semitone value. Less mod amounts will give you smaller pitch deviations, of course, and for Shape, a mod amount of 100% will drive a 50% pulse wave to its 'edges' with a +/- 60 value in the step sequencer.
-john b.
Two more videos have been posted - The Effects (FX) section, and the Arpeggiator & Step Sequencer section.
Because I wanted these videos to be brief, I didn't get into explaining how the step sequencer's 4 rows are assigned, but if you look at the second video where I'm describing the mod matrix details (Oscillator extras and modulation), or in any of the other videos where I'm showing the modulation sources, you will see Seq A, Seq B, Seq C, and Seq D as Mod Sources. If you want the step value to equal semitones, you have to put the mod amount in the Mod Matrix up full, at 120.00 semitones. This then makes each value in the step sequencer a semitone value. Less mod amounts will give you smaller pitch deviations, of course, and for Shape, a mod amount of 100% will drive a 50% pulse wave to its 'edges' with a +/- 60 value in the step sequencer.
-john b.