by John Bowen » Tue Jun 21, 2022 4:33 pm
Keep in mind that you have the oscillators still tracking the keyboard, so adding a negative note will add (subtract) from the oscillator tracking.
I’ve just set up a patch that tunes Osc 1 & 2 to unison at the top of the keyboard ( C-7), then detunes Osc 2 as I play down.
Here’s the settings used:
1) Osc 2 Modulation by Note - the smallest amount of modulation for pitch that you can set is 0.1, so I dialed that in as a -0.1 to the pitch of Osc 2.
2) But that offsets the unison pitch, so I set Osc 2 Fine’s tuning to +27
Now as I play down the keyboard, it gets progressively more detuned. (Pretty bad at the lowest C!). This is what you expressed as the desired result, however, because of the minimum of 0.1 Hz for mod amounts, this may be too much offset in the lower notes. You could move the unison tuning point to be at C-6 instead, and get a little bit less, then have just some detuning above there.
Keep in mind that you have the oscillators still tracking the keyboard, so adding a negative note will add (subtract) from the oscillator tracking.
I’ve just set up a patch that tunes Osc 1 & 2 to unison at the top of the keyboard ( C-7), then detunes Osc 2 as I play down.
Here’s the settings used:
1) Osc 2 Modulation by Note - the smallest amount of modulation for pitch that you can set is 0.1, so I dialed that in as a -0.1 to the pitch of Osc 2.
2) But that offsets the unison pitch, so I set Osc 2 Fine’s tuning to +27
Now as I play down the keyboard, it gets progressively more detuned. (Pretty bad at the lowest C!). This is what you expressed as the desired result, however, because of the minimum of 0.1 Hz for mod amounts, this may be too much offset in the lower notes. You could move the unison tuning point to be at C-6 instead, and get a little bit less, then have just some detuning above there.