Simple Audio Examples
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Simple Audio Examples
Hi All,
I noted the requests for sound examples in the other Subject topic 'Sound Samples', and I've got quite a bit of programming to get to the point that I have sounds representative of those requests! But rest assured, I will get to them (and the Solaris is quite able to produce them). What I'd like to start with are much simpler sounds, and I've done 3 quick examples tonight to show some very specific things.
If you will excuse my 'New Age' chordal style , here's what I wanted to show:
1) AM example - http://www.johnbowen.com/WavDemos/Solaris_AM1.wav
This is an extremely simple patch, made up of 2 oscillators, no filters, 2 envelopes, and 2 LFOs. Osc 1's amplitude is being modulated by Osc 2, whose output is shaped by an envelope. (The 2nd env is the Amp EG, of course). Since you can modulate each input of a mixer, I have a mixer with Osc 1 coming into 2 of the 4 inputs. The first input is getting modulated by Osc 2, and the second input is modulated by an LFO. Another LFO controls panning.
2) Lowpass filter with polymod - http://www.johnbowen.com/WavDemos/Solaris_LP11.wav
This just because it's an old favorite of mine from the Prophet days. 2 oscillators feeding the ladder-type Lowpass 24 dB filter, with medium resonance. The filter cutoff is modulated by 2 LFOs, one of which is tracking the keyboard, while the other a very slow sweep. A third input provides an envelope to the cutoff. Again a bit of Pan modulation by another LFO.
3) Panning Modulation at audio rates - http://www.johnbowen.com/WavDemos/Solaris_PanMod.wav
Again, another very simple sound, using 2 oscs (sine waves), one with a slight bit of pitch EG (and no filter). The point here is to show how nicely audio rate modulation of the Pan position works - something you won't find on your typical synthesizer. As I hold down the F major chord a few bars in, I start to adjust the Coarse tuning of Osc 4, which is modulating the Pan. At first it's at -60 semitones (sub-audio range), and then I gradually (more or less!) raise it all the way up to +60 semitones. At the end, I again grab Osc 4's Coarse frequency and quickly drop it all the way back down while holding a higher chord.
The Solaris can produce very complicated things, but I wanted to start out with very basic, simple sounds. Again, I apologize for the style and performance - not an award-winning one, but at least now there's something to hear. Now that I've got the basic recording process down, I'll have to get one of those sequencing programs that everyone uses (yes, I don't have one yet!), and see what fancier things I can come up with.
cheers,
john b.
I noted the requests for sound examples in the other Subject topic 'Sound Samples', and I've got quite a bit of programming to get to the point that I have sounds representative of those requests! But rest assured, I will get to them (and the Solaris is quite able to produce them). What I'd like to start with are much simpler sounds, and I've done 3 quick examples tonight to show some very specific things.
If you will excuse my 'New Age' chordal style , here's what I wanted to show:
1) AM example - http://www.johnbowen.com/WavDemos/Solaris_AM1.wav
This is an extremely simple patch, made up of 2 oscillators, no filters, 2 envelopes, and 2 LFOs. Osc 1's amplitude is being modulated by Osc 2, whose output is shaped by an envelope. (The 2nd env is the Amp EG, of course). Since you can modulate each input of a mixer, I have a mixer with Osc 1 coming into 2 of the 4 inputs. The first input is getting modulated by Osc 2, and the second input is modulated by an LFO. Another LFO controls panning.
2) Lowpass filter with polymod - http://www.johnbowen.com/WavDemos/Solaris_LP11.wav
This just because it's an old favorite of mine from the Prophet days. 2 oscillators feeding the ladder-type Lowpass 24 dB filter, with medium resonance. The filter cutoff is modulated by 2 LFOs, one of which is tracking the keyboard, while the other a very slow sweep. A third input provides an envelope to the cutoff. Again a bit of Pan modulation by another LFO.
3) Panning Modulation at audio rates - http://www.johnbowen.com/WavDemos/Solaris_PanMod.wav
Again, another very simple sound, using 2 oscs (sine waves), one with a slight bit of pitch EG (and no filter). The point here is to show how nicely audio rate modulation of the Pan position works - something you won't find on your typical synthesizer. As I hold down the F major chord a few bars in, I start to adjust the Coarse tuning of Osc 4, which is modulating the Pan. At first it's at -60 semitones (sub-audio range), and then I gradually (more or less!) raise it all the way up to +60 semitones. At the end, I again grab Osc 4's Coarse frequency and quickly drop it all the way back down while holding a higher chord.
The Solaris can produce very complicated things, but I wanted to start out with very basic, simple sounds. Again, I apologize for the style and performance - not an award-winning one, but at least now there's something to hear. Now that I've got the basic recording process down, I'll have to get one of those sequencing programs that everyone uses (yes, I don't have one yet!), and see what fancier things I can come up with.
cheers,
john b.
Last edited by John Bowen on Mon Jun 16, 2008 10:09 pm, edited 3 times in total.
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Klaus and I discussed saturation, and what else we might want to have in there to address this. There will be the pre/post 'insert' FX as I've mentioned, plus there's one or two other parameters that could be reworked to handle these kinds of functions. (In the software plug-in, I have a 12 dB boost following each filter, but that may be replaced with a more general saturation control, for example).
regards,
john b.
regards,
john b.
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John,
Sounds nice. Very clean on the 1st, though I'd like to hear a richer version of Sample 2 for sure. I'm a BIG analog Power synth type of guy.
Regarding the 3rd example, is there a way to do the pitch modulation realtime via the knob without the stepping?
Thanks for posting these. I'm really interested in the potential of this synth!
Sounds nice. Very clean on the 1st, though I'd like to hear a richer version of Sample 2 for sure. I'm a BIG analog Power synth type of guy.
Regarding the 3rd example, is there a way to do the pitch modulation realtime via the knob without the stepping?
Thanks for posting these. I'm really interested in the potential of this synth!
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Yeah, I thought someone would mention that.NuSkoolTone wrote: Regarding the 3rd example, is there a way to do the pitch modulation realtime via the knob without the stepping?
For this example, I had to use the Coarse Tuning control, which is stepped in semitones (you have +/- 60 semitones, or +/- 5 octaves). Probably the proper way would be to use the No Track button, which disconnects the keyboard from the oscillator, and changes the value displayed to Hertz, allowing a continuous sweep across the full frequency range, but this function isn't working yet on my prototype.
cheers,
john b.
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I had a request for some 'bright & res-buzzy', and I was playing around with a 2 filter patch. This uses the Moog LP at 24 dB with the Obie Notch filter:
http://www.johnbowen.com/WavDemos/MiniLP+OBNotch2.wav
http://www.johnbowen.com/WavDemos/MiniLP+OBNotch2.wav
Last edited by John Bowen on Mon Jun 16, 2008 10:10 pm, edited 1 time in total.
I have been following this synth for months now, and I guest the anticipation is growing amongst the synth masses for it's eminent release. There have been long hours of reading listening, comparing, guessing , projecting, even making studio space for this new beauty. I have one fundamental question after everything is said. What sounds can I make on the Solaris ?. The demos are pretty good, the sound clear yet organic. John, for me as a film composer and studio musician, can you say that the Solaris can do anything synthesis wise ? , from percussion sounds, to strings (not sampled, rather modeled) ? the basics of synth basses and leads and miscellaneous SFX are covered without doubt. I've always love Philip Glass' work, and love the experimental stuff he has done. Can i do more with the Solaris.
One may wonder why I ask such questions. When you do not live in Europe or the USA, buying a machine which will require you dishing out close to $9500.00 of your local currency one has to be sure 150% that his/her purchase will indeed deliver on specs. I have no doubt the Solaris is a wonderful machine, maybe the one of most important synthesizer in the 21st century . If possible for us who will have to pull more(yes ,we have very high customs taxation on these things here) to get one, is it possible in near future, for you John to provide us with a more comprehensive set of audio demos (not complaining about the ones that are there now, they're great) which will showcase a wider range of possibilities of your Solaris synth. We await with great anticipation.
Cheers
One may wonder why I ask such questions. When you do not live in Europe or the USA, buying a machine which will require you dishing out close to $9500.00 of your local currency one has to be sure 150% that his/her purchase will indeed deliver on specs. I have no doubt the Solaris is a wonderful machine, maybe the one of most important synthesizer in the 21st century . If possible for us who will have to pull more(yes ,we have very high customs taxation on these things here) to get one, is it possible in near future, for you John to provide us with a more comprehensive set of audio demos (not complaining about the ones that are there now, they're great) which will showcase a wider range of possibilities of your Solaris synth. We await with great anticipation.
Cheers
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